Extracts of a adhesived-copied theory

            No the marital status, adresses, proffesion, just individuals not identified in the unknown society, This entity several headed and art12er organize themselves in December 83 to look for what there can be beyond the words that one launches without trying to examine their resistance in front of reality, the true one, the palpable one.

            Then it's necessary to make, but make outside. With the concrete one to witch one knocks oneself, with the mineral or human matter which doesn't obey the other subtlety grammatical rules of syntax. And when we choose not to be anything, it's useless to ask the world, that is given only is the schools to put a mark to you, it should be taken just to seize and combine it with our desires of the moment : « to jump deliberatly over the stops to express itself without intermediary and transplate ».

            But to act isn't a step, to dare isn't an objective, they hardly lead but to gesticulation. Let us legislate, teach our action so that our mistakes become measurable, to know when we contradict ourselves, where are our dead ends. ART112 will intend to act without destruction, blocking the course of the ordinary life and costing it outrageously what wounds it more : its time its money. It will start even by making itself forgotten and forget itself : no damage, no expenses, no pictures, traces, not of recovery... transitory absolute, annihilation. Just a signature of wicht it wonders the direction.

            To start by knowknowing what ART112 is not, to built with the wire of the acts what it could be.

             Is it a group which wonders wether the audience belong to everyone or to nobody ? If there are space of freedom which become again inaccessible when one gives up them ? If it's necessary to make the equilibrist on limits and borders so that they build us instead of locking us up ? Or is it only one small start before the engluement, before the great digestion by the human civilisation of humanity of men ?ART112 was addressed to it but it didn't answer, the society.When we wanted to make the terrorists, it didn't lock us up. It didn't find us so terrible. When we wanted to make poetry, it doesn't have reacts, that doesn't inspire it, poetry. When we wanted to make art, there, it did say us that is was certainly not art ! Then we only understood, we wouldn't be nothing else than artistoïds, artistoïds art112er. Us, ourselves. Then the group worked. It produce, manufactured, built, more nothing to have of other but a memory, an arbitrarily tailled stereotype ; to leave in grazing ground only materials, already worn decorations because so quickly become familiar. And finally we did meet the audience, municipal firemen, police, them, they can what make with our actions, stop them, axtinguish them, clear them, evacuate them.They can fonction, because the others, the involuntary passers by, too often they don't know even any more.

            Since, for ART112, « the witness isn't any more somebody whith whom one exchanges in a privileged contact, but (...) an accessory which gives an additional character to the scene and influences only partially possible interpretations ». The Art112er makes street his theater, not theater of street. The audience, taken within the strict framework of an intervention art112er, must be compared to a matter which is modelled spontaneousely by reaction to « the work » which is presented to him. If this crowd can on the occasion act, consider that it's as well as the natural elements that are the wind, the rain, the snow... We are in the streets of the cities and the presence of people on the pavements, behind the windows is potential. They belong to the decoration and it's enough with the intervention. Without audience, the blow remains an image, a mechanism, a machine which carries out a task. Thus considered, the tool doesn't establish a direct dialogue with its user, but is useful of him.

            Ten of interventions later, after one more and more inventory, the action which could really say something wasn't carried out. Any remainder to be made. Here insupportable and the exciting one confused : « art it's what finished, only expression is contemporary ». Perhaps that to date, one still doesn't forgive us to be only one imperceptible label, of the nomads, the homeless. A group which fully doesn't respect the instructions, which collaborate or too much. But our concern isn't to maintain the reports of seduction « Because there only by barring the way which leads den to the water point, while lying down in the medium of the passage with its creations or its tripe that we can still surprise the ones to the others in our trouble, to dazzle a split second the glances absent from those which are said nonconcerned, to become agents of sapidity ».

            Jean INTELI

             

             

            CORPES, "Dead born ?", Cognac, Charente.
            THE BRIEF, "Etend'art", Ronce les bains, Charente-Maritime.
            SNACKLES, "Steeljail freedom", Poitiers, Vienne.
            THE TIRE, "To my mum, your baby boy", Bordeaux, Gironde.
            STEPS, "Size 7 1/2", Angoulême, Charente.
            CABINS, "La Rochelle, clean city !", La Rochelle, Charente-Maritime.I
            THE SUITCASE, "Attaché-case", Toulouse, Haute-Garonne.
            CAREERS, "Occult ceremony ", Poitiers, Vienne.
            STATUES, "Put in bern", Périgueux, Dordogne.
            THE VULTURE, "To our future deads !", Rochefort, Charente-Maritime.
            FISHES, "There'are fishes on the water !", Saintes, Charente-Maritime.
            SHIT, "Raoul the 2nd", Niort, Deux-Sèvres.
            SYRINGES, "Recall", Parthenay, Deux-Sèvres.

            THE LAWN, "Respect the lawns !", Libourne, Gironde.
            THE VAULT, "Bus shelter", Angoulême, Charente.
            THE GIANT, "Apartheid", Périgueux, Dordogne.
            LA SCIE, "Rive droite, rive gauche !", Confolens, Charente.
            THE IMPROVISATION, "In 1986, we make spectacle with nothing", Saintes, Charente-Maritime.
            THE MARTYR, "The martyr of 3.46 A.M", Bordeaux, Gironde.
            THE THRONE, "Power, capacity and glory", La Rochelle, Charente-Maritime.

             

            BRAINS, "Eden garden", Talence, Gironde.
            WINDOWS, "6 instructions for public toilets !", Nantes, Loire-Atlantique.
            THE CUBE, "The one who never sins...", Angers, Maine-et-Loire.
            THE LOCK, "Stopp us !", Périgueux, Dordogne.

            THE KANAKY, "Opening of the shooting season !", St Même les carrières, Charente.
            THE CEMETERY, "Exposition dead city !", Bordeaux, Gironde.
            THE TV, "TV Studio", Bordeaux, Gironde.
            BILBOARDS, "Prohibited to the public !", Bordeaux, Gironde.
            THE INSOLD GOODS, "2nd show of the young painting", Talence, Gironde.
            BOMBS, "La Margot, la Jeannette et la Suzon !" Poitiers, Vienne.
            BLUE Q, "Markings", Matha, Charente-Maritime.
            CAGES, "Jail on the street", Angoulême, Charente.
            THE PROCESSION, "The silence of each one ensures the rest of all", Angoulême, Charente.
            THE FORK, "The olympic stadium", Poitiers, Vienne.
            PENCILS, "Mines field !", Paris, Seine.

            THE FLASH, "Bad weather", Saintes, Charente-Maritime.

            THE PLATE, "Picnic", Rochefort, Charente-Maritime.
            THE RAPE, "Public rape", Limoges, Haute-Vienne.
            RAOUL III, "Raoul the 3rd", Niort, Deux-Sèvres.
            KEPIS, "feu De-Gaulle", Bordeaux, Gironde.

             

            THE PERCHERON, "Outing in the country", Bordeaux, Gironde.
            THE ELITE, "Lynching at the fair", Ribérac, Dordogne.
            THE HAMMER, "Failure", La Rochelle, Charente-Maritime.
            SANTACLAUS, "Blow of ball", Poitiers, Vienne.
            THE EGG, "Cocoricrac !", Périgu'oeuf, Dordogne.
            THE STAIRS, "Do you want to come up honey ?" - partie I -
            THE STAIRS, "Descente d'organe !" - partie II - Blois, Loir et Cher.
            FLAGS, "Somewhere else", Royan, Charente-Maritime.
            THE BASE, "Gramble", Blois, Loir et Cher.
            SKINS, "Identity dress", Quelque part et partout, France.

            THE SUBMARINE, "L'inébranlable", Tours, Indre et Loire.
            RAOUL IV, "Gift of the town Niort to the town of Royan", Royan, Charente-Maritime.
            RADIOS, "Free entry", Rochefort, Charente-Maritime.
            HANDS, "72 open hands", Jarnac, Charente.
            CHIMNEYS, "Canal auditory", Limoges, Haute-Vienne.
            THE HEDGEHOG, "Notre-Dame de Borvins", Bordeaux, Gironde.
            THE PLANE, "Awkwardness", Toulouse, Haute-Garonne.
            THE CAN, "3000 cans against a virus", Tours, Indre et Loire.
            ROSES, "Rue des Rosiers", Oradour sur Glanes, Haute-Vienne.
            THE UNICORN, "Tri-corne", La Roche/Yon, Vendée.
            THE COVER, "The trouble", Périgueux, Dordogne.

             

            THE DOLL, "Little runts", Poitiers, Vienne.
            THE GUN, "You'r (kill) here", Paris, Seine.

            THE GRID, "Escape", Bordeaux, Gironde.
            THE CELLULAR, Zoographia gallery, "The key", Bordeaux, Gironde.
            COFFINS, "Travel agency", Cognac, Charente.
            THE IRON, "3rd millenium : age of iron", Bordeaux, Gironde.
            THE TERMINAL, “The strangeness box”, Bordeaux, Niort, La Rochelle...
            PINS, “les Chrysalèdes”, Bordeaux, Gironde.

            LEAVES, “arbor silvam ocultans”, Rouillac, Charente.
            THE SCAFFOLDING, “Cathédral of the XIe century”, Angoulême, Charente.

            THE MØNUMENT, "All is changed", La Rochelle, Charente-Maritime.

            THE MANIF, "General strike", La Rochelle, Charente-Maritime.

            LE CRESCENT, "Lightning conductor ?", Paris 07, Seine.

            THE ARROW, "Move on !", Paris, Seine.

            SKELETONS, "Unemployment benefit", Angoulême, Charente.

            THE COLDMAKER, "U.H.S.", Bordeaux and Toulouse.

            CUPS, "Bagdad Cofee", Arcachon, Gironde.

            THE PICK-UP, "Happy new year", Rochefort, Charente-Maritime.

            THE FLOOR, "Walk on Art", Poitiers, Vienne.

            DUSTBINS, "LABO&Cie", Sarlat, Dordogne.

             

            THE SATELLITE, "Dear Laïka", Cognac, Charente.

            SHADES, "without title", Limoges, Haute-Vienne.

            THE BUBBLE, "Howling metal", Angoulême, Charente.

            THE GRAVE, "Rest In Peace Oslo", Saintes, Charente-Maritime.